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Giuseppe Danise (11 January 1882 – 9 January 1963) was an Italian operatic baritone. He sang to great acclaim throughout Italy and the Americas, appearing in lyric and dramatic roles from the Italian, French, Wagnerian, and Russian repertoire.
In 1906, he made his debut at the Teatro Bellini in Naples as Alfio in Cavalleria rusticana. Shortly thereafter he was hired as a leading baritone of the Gonsalez Opera Company, a touring company that traveled through the Balkans and throughout Russia and Siberia, as was described by the soprano Germana Di Giulio in Lanfranco Rasponi's The Last Prima Donnas. For at least part of the tour, the company included, among others, tenor Alessandro Procacci, soprano Giulietta Battaglioli, lyric soprano Ernestina Gonsalez, and bass Ignazio Cesari. In the course of his two and a half years with this company, Danise sang 630 performances.
He returned to Italy in May 1912. Two weeks later he sang a concert in Trieste and was engaged there for the fall season. After that, he was engaged to sing at the Teatro Regio di Torino. During that engagement he was asked to go to La Scala for the centennial of Verdi's birth. Danise refused this request over differences about the repertoire.
He continued building his Italian career to great success, singing in Bologna, Genoa, Rome, and Naples, among other places. He sang the role of Amonasro in Verdi's Aida at the opening of the Arena di Verona. In 1915 he performed at the Teatro Costanzi in Rome in the world premiere of the opera Una tragedia fiorentina by Mario Mariotti.
From May 1914 through September 1915, Danise sang primarily in South America, in theatres in Uruguay, Brasil, and Argentina, such as the Teatro Colón in Buenos Aires.
Back in Italy, the Italian arm of the His Master's Voice record company, La voce del padrone, made its first complete recording of Verdi's Rigoletto in May 1916, with Danise in the title role. Due to an unfortunate incident, however, some of the matrices were damaged before they made it to the fabrication process. The sections that were lost were re-recorded the following year with a different set of singers, Rigoletto being sung by Ernesto Badini. The complete but cobbled-together recording was issued in 1918 with the mixed cast.
Danise made his La Scala debut as the title role in the Scala premiere of Borodin's Prince Igor. He enjoyed great success in that house, opening a season with Spontini's Fernand Cortez and taking part in the Scala premiere of Zandonai's Francesca da Rimini and in the world premiere of Macigno by Vittorio De Sabata. In 1918, at the Teatro Costanzi in Rome, he sang in the world premiere of Vincenzo Michetti's Maria di Magdala.
Danise had to retire from the stage temporarily when he was conscripted to service in World War I. He was transferred from Milan to Rome, where he worked as a censor. During his stay in Rome, he sang at Teatro Costanzi (now known as the Teatro dell'Opera di Roma). It was at this time (1917–1918) that Danise first had occasion to sing with Beniamino Gigli, both performing in Cilea's Adriana Lecouvreur.
Danise made his debut at Metropolitan Opera in the role of Amonasro in Aida. There he starred in the Met premiere of Giordano's Andrea Chénier, Catalani's Loreley, Lalo's Le roi d'Ys, and La Habanéra by Raoul Laparra. Over the next twelve years, he sang in 425 performances with the Met, sometimes traveling with the company to perform in other cities America—Philadelphia, Atlanta, and Cleveland chief among them. He was paired with the greatest singers of the age, including Emmy Destinn, Rosa Ponselle, Claudia Muzio, Amelita Galli-Curci, Giovanni Martinelli, Beniamino Gigli, Giacomo Lauri-Volpi, and José Mardones.
From 1922 to 1931, he appeared every year at the Ravinia Festival summer opera in Chicago.
In 1925, he married Ines Rognoni (a former ballerina at La Scala) in West New York, New Jersey. They later had two daughters, Aurora and Ebe. Also in 1925 the Supreme Court in Brooklyn issued an interlocutory decree of divorce to a Raffaela Danise. In lieu of alimony, Danise was made to pay her a complete financial settlement of $20,000.
From 1921 to 1927, Danise recorded dozens of arias, art songs, popular songs, and religious works for Brunswick Records. Most of them were done in the acoustic method, but a small handful of electrics show a voice of great sonority with an intense ring.
As a result of an economic crisis in 1932, the Metropolitan Opera began to reduce fees for its soloists, causing Danise not to renew his contract with the Metropolitan Opera.
He returned to Italy, performing again with great success at La Scala, now as Scarpia in Tosca and as Alfonso in Donizetti's La favorita; in 1933 at the Teatro Regio of Torino as Telramund in Lohengrin under Max von Schillings; as well as in 1933 at the Teatro Massimo Palermo as Scarpia; and in 1935 at the Teatro Carlo Felice Genova as Alfonso in La favorite. In the years 1935–37 he performed at the Opera of Rio de Janeiro as Scarpia, as Rigoletto, as Gianciotto in Francesca da Rimini, and as Germont père in La traviata alongside Brazilian soprano Bidu Sayão. His final performances were in 1939, as Germont in Traviata and Gérard in Andrea Chenier at São Paulo.
Danise is buried next to Sayão's mother at the Woodlawn Cemetery in New York City.
| + Sortable table | |||
| Bellini | Vincenzo Bellini | I puritani | Riccardo |
| Bizet | Georges Bizet | Carmen | Escamillo |
| Borodin | Alexander Borodin | Prince Igor | Prince Igor |
| Catalani | Alfredo Catalani | Loreley | Hermann |
| Cilea | Francesco Cilea | Adriana Lecouvreur | Michonnet |
| De Sabata | Victor de Sabata | Il macigno | Martano |
| Donizetti | Gaetano Donizetti | Don Pasquale | Dr. Malatesta |
| Donizetti | Gaetano Donizetti | La favorita | Alfonso |
| Donizetti | Gaetano Donizetti | Lucia di Lammermoor | Enrico |
| Franck | César Franck | Les Béatitudes | baritone |
| Gialdini | Gialdino Gialdini | La bufera | Mulaso |
| Giordano | Umberto Giordano | Andrea Chenier | Carlo Gérard |
| Giordano | Umberto Giordano | Fedora | De Siriex |
| Giordano | Umberto Giordano | Madame Sans-Gêne | Napoleon |
| Giordano | Umberto Giordano | Siberia | Gleby |
| Gomes | Antônio Carlos Gomes | Fosca | Cambro |
| Gomes | Antônio Carlos Gomes | Il Guarany | Gonzales |
| Gounod | Charles Gounod | Faust | Valentin |
| Lalo | Édouard Lalo | Le roi d'Ys | Karnac |
| Laparra | Raoul Laparra | La Habanera | Ramon |
| Leoncavallo | Ruggero Leoncavallo | Mimi Pinson | Marcello |
| Leoncavallo | Ruggero Leoncavallo | I pagliacci | Tonio |
| Leoncavallo | Ruggero Leoncavallo | Zazà | Cascart |
| Leroux | Xavier Leroux | Le chemineau (Il vagabondo) | Vagabondo |
| Leroux | Xavier Leroux | Les cadeaux de Noël (I doni di Natale) | Lean |
| Mariotti | Mario Mariotti | Una tragedia fiorentina | Simone |
| Mascagni | Pietro Mascagni | Cavalleria Rusticana | Alfio |
| Mascagni | Pietro Mascagni | Isabeau | Re Raimondo |
| Mascagni | Pietro Mascagni | L'amico Fritz | Rabbi David |
| Massenet | Jules Massenet | Le jongleur de Notre-Dame | Boniface |
| Massenet | Jules Massenet | Thaïs | Anthanaël |
| Meyerbeer | Giacomo Meyerbeer | Gli ugonotti | Conte di Nevers |
| Meyerbeer | Giacomo Meyerbeer | L'africana | Nelusko |
| Michetti | Vincenzo Michetti | Maria di Magdala | Giuda |
| Montemezzi | Italo Montemezzi | Giovanni Gallurese | Rivegas |
| Montemezzi | Italo Montemezzi | L'amore dei tre re | Manfredo |
| Mussorgsky | Modest Mussorgsky | The Fair at Sorochyntsi | Kum |
| Offenbach | Jacques Offenbach | Les contes d'Hoffmann | Coppelius/Miracle/Dapertutto |
| Pacchierotti | Ubaldo Pacchierotti | Il santo | Fedor |
| Ponchielli | Amilcare Ponchielli | La gioconda | Barnaba |
| Puccini | Giacomo Puccini | La bohème | Marcello |
| Puccini | Giacomo Puccini | La fanciulla del West | Jack Rance |
| Puccini | Giacomo Puccini | Tosca | Scarpia |
| Rossini | Gioacchino Rossini | Guglielmo Tell | Guglielmo Tell |
| Rossini | Gioacchino Rossini | Il barbiere di Siviglia | Figaro |
| Saint-Saëns | Camille Saint-Saëns | Samson et Dalila | High Priest of Dagon |
| Spontini | Gaspare Spontini | Fernando Cortez | Telasco |
| Thomas | Abroise Thomas | Hamlet (Amleto) | Hamlet |
| Verdi | Giuseppe Verdi | Aïda | Amonasro |
| Verdi | Giuseppe Verdi | Don Carlo | Rodrigo |
| Verdi | Giuseppe Verdi | Ernani | Don Carlo |
| Verdi | Giuseppe Verdi | Il trovatore | Conte Di Luna |
| Verdi | Giuseppe Verdi | La battaglia di Legnano | Rolando |
| Verdi | Giuseppe Verdi | La forza del destino | Don Carlo di Vargas |
| Verdi | Giuseppe Verdi | La traviata | Germont |
| Verdi | Giuseppe Verdi | Otello | Iago |
| Verdi | Giuseppe Verdi | Rigoletto | Rigoletto |
| Verdi | Giuseppe Verdi | Un ballo in maschera | Renato |
| Wagner | Richard Wagner | Götterdämmerung | Gunther |
| Wagner | Richard Wagner | Lohengrin | Telramund |
| Wolf-Ferrari | Ermanno Wolf-Ferrari | I gioielli della Madonna | Rafaele |
| Zandonai | Riccardo Zandonai | Francesca da Rimini | Gianciotto |
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